Screeners

Alex Hubbard, Alexander Hammid and Maya Deren, Ana Vaz, Andrea Fraser, Ben Callaway, Carrie Mae Weems, Cauleen Smith, Charles Atlas, Cherrie Yu, Claudia Hart, Eija-Liisa Ahtila, Frank Heath, Gordon Matta-Clark, Gregory Kalliche, Guido van der Werve, Guillaume Pinard, Guy Ben-Ner, Hannah Black, Hannah Taverner, Heather Phillipson, Ilana Harris-Babou, Ja’Tovia Gary, Jack Goldstein, Jan Svankmajer, Jos de Gruyter & Harald Thys, Loretta Fahrenholz, Lu Yang, Luiz Roque, Luzie Meyer, Maggie Lee, Maia Chao, Marina Xenofontos, Marnie Briggs, Nikita Gale, Pat O’Neill, Sara Magenheimer, Shirley Clarke, Theodore Darst, Theodore Sefcik, Tim Enthoven, Vaginal Davis, Vito Acconci, William E. Jones, Wong Kit Yi

Gregory Kalliche
theothersideofthemuffledwall
HD video with sound
2015
Video still

20 Apr–3 Jun 2020
Screeners
Alex Hubbard, Alexander Hammid and Maya Deren, Ana Vaz, Andrea Fraser, Ben Callaway, Carrie Mae Weems, Cauleen Smith, Charles Atlas, Cherrie Yu, Claudia Hart, Eija-Liisa Ahtila, Frank Heath, Gordon Matta-Clark, Gregory Kalliche, Guido van der Werve, Guillaume Pinard, Guy Ben-Ner, Hannah Black, Hannah Taverner, Heather Phillipson, Ilana Harris-Babou, Ja’Tovia Gary, Jack Goldstein, Jan Svankmajer, Jos de Gruyter & Harald Thys, Loretta Fahrenholz, Lu Yang, Luiz Roque, Luzie Meyer, Maggie Lee, Maia Chao, Marina Xenofontos, Marnie Briggs, Nikita Gale, Pat O’Neill, Sara Magenheimer, Shirley Clarke, Theodore Darst, Theodore Sefcik, Tim Enthoven, Vaginal Davis, Vito Acconci, William E. Jones, Wong Kit Yi

In the spirit of sharing and discovery, we ran a crowd-sourced video channel where we screen one video work suggested by one person on view for 24 hours.

Thank you to our community for making this possible, and to everyone for tuning in!

 

Wednesday, 3 June, Carrie Mae Weems, People of a Darker Hue, 2016, Suggested

by Alexandra Giniger

Tuesday, 2 June, Guy Ben-Ner, Moby Dick, 2000, Suggested by Kamrooz Aram

Monday, 1 June, Loretta Fahrenholz, Haust, 2010, Suggested by Haynes Riley

Sunday, 31 May, Ja’Tovia Gary, The Giverny Suite, 2019, Suggested by Sarah Jones

Saturday, 30 May, Maggie Lee, Mommy, 2015, Suggested by Marco Estrella

Friday, 29 May, Frank Heath, Asymptomatic Carrier, 2013, Suggested by Simone

Subal

Thursday, 28 May, William E. Jones, Fall Into Ruin, 2017, Suggested by Blake

Oetting

Wednesday, 27 May, Theodore Sefcik, Dogwalk, 2020, Suggested by Jesse

Greenberg

Tuesday, 26 May, Andrea Fraser, Little Frank and His Carp, 2001, Suggested by

Ingrid Lundgren

Sunday, 24 May, Jack Goldstein, The Jump, 1978, Suggested by Antonia Marsh

Saturday, 23 May, Guillaume Pinard, Provisional End, 2006, Suggested by

Benjamin Tischer

Friday, 22 May, Jan Svankmajer, Dimensions of Dialogue, 1983, Suggested by

Becky James

Thursday, 21 May, Hannah Black, My Bodies, 2014, Suggested by Quinn Schoen

Wednesday, 20 May, Guido van der Werve, Nummer zeven, The clouds are more

beautiful from above., 2006, Suggested by Presca Ahn

Tuesday, 19 May, Luiz Roque, Ancestral, 2015, Suggested by Samantha Ozer

Monday, 18 May, Charles Atlas, A Museum?, 2015, Suggested by Julia Speed

Sunday, 17 May, Luzie Meyer, St. Lucy [To Look Upon Men with Lust], 2017,

Suggested by Amanda Schmitt

Saturday, 16 May, Cherrie Yu, Lydia and Matthew, 2019, Suggested by Vijay

Masharani

Friday, 15 May, Theodore Darst, RIPPLE, 2020, Suggested by Olivia Smith

Thursday, 14 May, Vito Acconci, Centers, 1971, Suggested by Julian Rose

Wednesday, 13 May, Sara Magenheimer, Slow Zoom Long Pause, 2015, Suggested

by Tom Weinrich

Tuesday, 12 May, Marina Xenofontos, Sunlight Vandalism, 2019, Suggested by

Coco Young

Monday, 11 May, Gordon Matta-Clark, Food, 1972, Suggested by Helena Anrather

Sunday, 10 May, Claudia Hart, Timegardens 01, 2004, Suggested by Gregory

Kalliche

Saturday, 9 May, Maia Chao, A Public Feeling, 2018, Suggested by Simon Wu

Friday, 8 May, Ana Vaz, Há Terra!, 2016, Suggested by Miriam Simun

Thursday, 7 May, Cauleen Smith, H-E-L-L-O, 2014, Suggested by Melanie Kress

Wednesday, 6 May, Alex Hubbard, Annotated Plans for an Evacuation, 2010,

Suggested by Javier Aparicio

Tuesday, 5 May, Pat O’Neill, Water and Power, 1989, Suggested by Isabelle

Hogenkamp

Monday, 4 May, Shirley Clarke, A Visual Diary, 1980, Suggested by Farah Al

Qasimi

Sunday, 3 May, Vaginal Davis, That Fertile Feeling, 1986, Suggested by David

Everitt Howe

Saturday, 2 May, Ben Callaway, Rigadoon, 2006, Suggested by Chris Sharp

Friday, 1 May, Ilana Harris-Babou, Decision Fatigue, 2020, Suggested by Karen

Flatow

Thursday, 30 April, Eija-Liisa Ahtila, If 6 Was 9, 1995, Suggested by Daisy Sanchez

Wednesday, 29 April, Wong Kit Yi, Uploading Consciousness to a Lotus Root, 2018,

Suggested by Prem Krishnamurthy

Tuesday, 28 April, Marnie Briggs, Apex, 2019, Suggested by Lauren Satlowski

Monday, 27 April, Heather Phillipson, FINAL DAYS, 2015, Suggested by Natalie

Bell

Sunday, 26 April, Hannah Taverner, Front Back Up Down, 2016, Suggested by

Lucas Casso

Saturday, 25 April, Gregory Kalliche, theothersideofthemuffledwall, 2015, Suggested

by Kyle Clairmont Jacques

Friday, 24 April, Tim Enthoven, Ornamental Hermit, 2017, Suggested by Douglas

Rieger

Thursday, 23 April, Lu Yang, Delusional Mandala, 2015, Suggested by Catherine

Telford Keogh

Wednesday, 22 April, Alexander Hammid and Maya Deren, The Private Life of a

Cat, 1947, Suggested by Shiv Kotecha

Tuesday, 21 April, Nikita Gale, DESCENT, 2018, Suggested by Ellie Rines

Monday, 20 April, Jos de Gruyter & Harald Thys, De Pot (The Bucket), 2001,

Suggested by Cindy Ji Hye Kim